{"id":3393,"date":"2018-05-12T12:45:05","date_gmt":"2018-05-12T12:45:05","guid":{"rendered":"http:\/\/tallerhistoriagodella.org\/?p=3393"},"modified":"2018-05-12T12:45:05","modified_gmt":"2018-05-12T12:45:05","slug":"estrena-al-capitolio-de-lobra-de-teatre-peset-la-rao-dun-poble","status":"publish","type":"post","link":"https:\/\/maferrer.es\/tallerhistoriagodella\/estrena-al-capitolio-de-lobra-de-teatre-peset-la-rao-dun-poble\/","title":{"rendered":"Estrena al Capitolio de l’obra de teatre \u00abPeset, la ra\u00f3 d’un poble\u00bb"},"content":{"rendered":"
\"\"<\/a>

Cartell de la representaci\u00f3<\/strong><\/em><\/p><\/div>\n

 <\/p>\n

Els propers dies 18 i 19 de maig, divendres i dissabte de la setmana vinent, tindr\u00e0 lloc al Teatre Capitolio del nostre poble, l’estrena de l’obra de teatre \u00abPeset, la ra\u00f3 d’un poble\u00bb, original d’Amparo Grafi\u00e1, de la que el Taller d’Hist\u00f2ria Local ha estat el principal impulsor.<\/p>\n

L’obra de teatre, amb la que col\u00b7laboren diverses associacions del poble, vol ser un homenatge a l’il\u00b7lustre catedr\u00e0tic Joan Baptista Peset Aleixandre, fill del nostre poble, que va ser afusellat a Paterna poc despr\u00e9s del final de la Guerra Civil, malgrat totes les peticions de clem\u00e8ncia\u00a0 des de tots els \u00e0mbits socials i pol\u00edtics (fins i tot a nivell internacional).<\/p>\n

oo0oo<\/p>\n

Unamuno ja ho va pronosticar. L\u2019arribada dels nacionals a Val\u00e8ncia suposaria la caiguda de<\/em>
\nPeset. L\u2019obra s\u2019inicia amb el coneixement de la segona sent\u00e8ncia en la qual no constava<\/em>
\nla possibilitat de commutaci\u00f3 de la pena imposada que era de mort. Era l\u2019any 1940. I \u00e9s en<\/em>
\neste punt de l\u2019obra on la figura d\u2019Ana Llorca encap\u00e7ala la recerca de personalitats de l\u2019alta<\/em>
\nsocietat valenciana disposades a signar en favor del seu home, Joan Baptista Peset Aleixandre.<\/em>
\nEmpresaris, religiosos, militars, pol\u00edtics, catedr\u00e0tics… Uns disposats a signar, altres no. Idees<\/em>
\ni realitats enfrontades. Cadascun amb la seua hist\u00f2ria i la seua mem\u00f2ria. I enmig, la injust\u00edcia.<\/em>
\nLa injust\u00edcia que va tenyir de sang la vida de tantes persones i que va privar de llibertat a tantes<\/em>
\naltres. I tot barrejat amb la fam, la por i la viol\u00e8ncia dels vencedors.<\/em>
\nEl final \u00e9s sabut per tots. No hi ha ni trampa ni misteri, aix\u00ed \u00e9s la Hist\u00f2ria. No \u00e9s un final tancat.<\/em>
\nEl final d\u2019aquesta hist\u00f2ria l\u2019haurem de buscar a les cunetes de moltes carreteres o a les fosses<\/em>
\ncomunes de m\u00e9s d\u2019un cementeri. <\/em><\/p>\n

oo0oo<\/p>\n

M\u00daSICA<\/span>:<\/strong><\/h3>\n

El d\u00eda que nac\u00ed yo<\/strong>
\nde Juan Mostazo<\/p>\n

La lista de Schindler<\/strong>
\nde John Williams<\/p>\n

La vida es bella<\/strong>
\nde Nicola Piovani<\/p>\n

D\u00fao de dos violines<\/strong>
\nde Luciano Berio<\/p>\n

Acuarelas valencianas<\/strong>
\nde Eduardo L\u00f3pez-Chavarri<\/p>\n

ooo<\/p>\n

J\u00falia Ferriol Miralles<\/strong> – Viol\u00ed
\nEnric Juan Alcocer<\/strong> – Viol\u00ed
\nDavid Churcher<\/strong> – Viola
\nMaria Fuster Gil<\/strong> – Violoncel<\/p>\n

(Components de l\u2018Orquestra del Casino Musical de Godella)<\/p>\n

oo0oo<\/p>\n

REPARTIMENT<\/span>:<\/strong><\/h3>\n

Juan Bta. Peset Aleixandre\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Javi Soler<\/strong>
\nAna Llorca\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Mar\u00eda Estell\u00e9s<\/strong>
\nJavier Peset\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nacho Carbonell<\/strong>
\nJuan Peset\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Joan Mart\u00ednez<\/strong>
\nVicente Peset\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Andreu Albalat<\/strong>
\nPedro Lain Entralgo\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Amado Bimbo<\/strong>
\nFrancisco Marco Merenciano\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Toni V\u00e1zquez<\/strong>
\nJuan J. Lopez Ibor\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Gabi Cirujeda<\/strong>
\nEsposa del Dr. L\u00f3pez G\u00f3mez\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Eva P\u00e9rez<\/strong>
\nCriada\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Irene S\u00e1nchez<\/strong>
\nAquilina\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Mar\u00eda Soria<\/strong>
\nBernardo G\u00f3mez Igual\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 C\u00e8sar Vercher<\/strong>
\nMossen Jose Noguera\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Josep Vicent F\u00e0bregues<\/strong>
\nMossen Jose M. Gar\u00edn\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Miguel Maci\u00e1n<\/strong>
\nMossen Pascual Llopis\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Juli\u00e1n Romero<\/strong>
\nMonges\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Lola G\u00f3mez, Mar Garc\u00eda i Amparo Grafi\u00e1 Cebri\u00e1<\/strong><\/p>\n

Matilde\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Amparo Grafi\u00e1\u00a0<\/strong>
\nEduardo Bartrina\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00c1ngel Fos<\/strong>
\nNicol\u00e1s S\u00e1nchez\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ferr\u00e1n Cort\u00e9s<\/strong>
\nVicent Hern\u00e1ndez (el Xurro)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Agust\u00edn Ferrando\/Sento Mora<\/strong>
\nJos\u00e9 Lluch Ferrando\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Miquel Gago<\/strong>
\nVicente Lizarraga\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Vicente Sanz Rozal\u00e9n<\/strong>
\nCeledonia\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sonia Mele<\/strong>
\nMilitars\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0C\u00e8sar Vercher, V. Sanz Rozal\u00e9n, \u00c1ngel Fos i T. V\u00e1zquez\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/p>\n

Retors\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Agust\u00edn Ferrando, Amado Bimbo i Miquel Gago<\/strong><\/p>\n

Criada Arquebisbe\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pepa Barrios<\/strong>
\nPresoners\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Juli\u00e1n Romero, Gabi Cirujeda, Javi Soler i Joan Mart\u00ednez<\/strong><\/p>\n

Camillero\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00c1ngel Fos<\/strong>
\nVeu de locutor\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Miguel Maci\u00e1n<\/strong>
\nVeu de Miguel Cabanellas\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sergio Monedero<\/strong>
\nVeu de Jutge Militar\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Antonio Herrera<\/strong>
\nVeu de Zumalac\u00e1rregui\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Jos\u00e9 Luis Minguela<\/strong>
\nVeu de Vicent Andr\u00e9s Estell\u00e9s\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Jordi Coll<\/strong><\/p>\n

Vestuari\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Raquel Candel<\/strong>
\nUtilleria\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00abTeatre Capitolio\u00bb<\/strong>
\nMaquillatge\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Alicia Bot\u00eda<\/strong>
\nIl.luminaci\u00f3\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nuria Torres – Jos\u00e9 Emilio Garc\u00eda<\/strong>
\nDisseny Gr\u00e0fic\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Amparo Grafi\u00e1<\/strong>
\nProducci\u00f3\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00abTaller d’Hist\u00f2ria Local de Godella\u00bb\u00a0<\/strong>
\nMuntatge – Projecci\u00f3 \u2013 So\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Jordi Coll, Jos\u00e9 Luis Minguela i Daniel Sanz<\/strong>
\nAjudant de Direcci\u00f3\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Amparo Grafi\u00e1<\/strong>
\nDirecci\u00f3\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Vicent Sanz<\/strong><\/p>\n

\"\"<\/a><\/p>\n

oo0oo<\/p>\n

 <\/p>\n

Esperem que us agrade!<\/strong><\/h3>\n

Us esperem a totes i a tots!!!<\/strong><\/h3>\n

\u00a0***<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

  Els propers dies 18 i 19 de maig, divendres i dissabte de la setmana vinent, tindr\u00e0 lloc al Teatre Capitolio del nostre poble, l’estrena de l’obra de teatre \u00abPeset, la ra\u00f3 d’un poble\u00bb, original d’Amparo Grafi\u00e1, de la que el Taller d’Hist\u00f2ria Local ha estat el principal impulsor. L’obra de teatre, amb la que […]<\/p>\n","protected":false},"author":3,"featured_media":10099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[68],"class_list":["post-3393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies","tag-teatre"],"_links":{"self":[{"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/posts\/3393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/comments?post=3393"}],"version-history":[{"count":0,"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/posts\/3393\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/media\/10099"}],"wp:attachment":[{"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/media?parent=3393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/categories?post=3393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maferrer.es\/tallerhistoriagodella\/wp-json\/wp\/v2\/tags?post=3393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}